Selected tag: Reviews

Virtuoso weirdness facing a sacred experience

Reviews by Amanda KaurannePublished 10 Feb 2022

Embraced by vocals and stringed instruments

Reviews by Amanda KaurannePublished 10 Feb 2022

Accordion – boldly engaged with Magnus Lindberg

Reviews by Kare EskolaPublished 30 Nov 2021

Linking Finland and Spain in the classical guitar tradition

Reviews by Kare EskolaPublished 30 Nov 2021

Fagerlund’s modern impressionism works well in chamber music too

Reviews by Kare EskolaPublished 30 Nov 2021

Sonic shavings from the workbench

Reviews by Martin AndersonPublished 30 Nov 2021

Breathtaking virtuosity, frozen melancholy

Reviews by Anna PulkkisPublished 30 Nov 2021

The groovy and lyrical saxophone

Reviews by Anna PulkkisPublished 30 Nov 2021

Powerful orchestral images by Fagerlund

Reviews by Anna PulkkisPublished 30 Nov 2021

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Selected tag: Reviews

Virtuoso weirdness facing a sacred experience

Embraced by vocals and stringed instruments

Accordion – boldly engaged with Magnus Lindberg

Linking Finland and Spain in the classical guitar tradition

Fagerlund’s modern impressionism works well in chamber music too

Sonic shavings from the workbench

Breathtaking virtuosity, frozen melancholy

The groovy and lyrical saxophone

Powerful orchestral images by Fagerlund

All tags

Latest printed FMQ issues

Spring 2016

Autumn 2016

2017

2018

2019

2020

2021

2022

Past Printed Issues

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Selected tag: Reviews

Virtuoso weirdness facing a sacred experience

Embraced by vocals and stringed instruments

Accordion – boldly engaged with Magnus Lindberg

Linking Finland and Spain in the classical guitar tradition

Fagerlund’s modern impressionism works well in chamber music too

Sonic shavings from the workbench

Breathtaking virtuosity, frozen melancholy

The groovy and lyrical saxophone

Powerful orchestral images by Fagerlund

All tags