Let the People Sing
Let the People Sing
"There are moments, when Kostiainen does things that give the ears a good tweak: one striking passage has minimalist oscillating flutes above a lyrical cello line; at another point a saxophone emerges unexpectedly from the orchestra; and the bells and trumpets that open the Missa Paschalis, and the passage for baritone and chorus that they introduce, recall Kokkonen’s The Last Temptations directly."
