Special Feature 4/2018
On composing and beyond
In this Special Feature, FMQ launches a new series of columns where composers and other music makers write about their music. We also re-publish some treasures from our archives, and present highlights from a 13-part documentary series produced by the Society of Finnish Composers.
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Live at the Music Centre in Helsinki
Johanna Juhola: Spaces, stories, scenes
The very first sounds in the concert run a chill up the spine: the beautiful musical language of accordionist Johanna Juhola combined with a vibrant, lucid soundscape captivate the listener. As the title of the concert promises, they create space.
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Review on the Nordic Music Days 2018
Not sounding the same
Nordic Music Days has a hard time staying open, questioning and relevant when only Nordic folk are invited and the rest of the world is in awe of us. But the Helsinki edition gave it a good shot.
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Olli Virtaperko:
On Nordic collaboration
“The Nordic Music Days is the mirror of the Nordic composers’ community. At the same time, it also represents a broader symbol of Nordic collaboration which, despite its challenges in reconciling different interests that sometimes feel insurmountable, can be seen as an example of a universal opportunity for collaboration between nations. As an added bonus, the festival occasionally enables access to interesting music.”
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Special Feature 3/2018:
Music, community and identity
In the Special Feature 3/2018, FMQ takes a look at the fascinating network of relationships between music, community and identity. We discuss the role of music in building communities on the one hand and specialised, music-based communities on the other.
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From the Archives (1985–2005)
FMQ began life as a printed magazine – the Finnish Music Quarterly – in 1985. Until 2005, its articles were only available in hard copy.
Selected articles from our back catalogue have been posted online, and the selection is continuously being added to.
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