Erkki Salmenhaara

The cultural cold war between the superpowers that began after the Second World War played a major role in shaping the international arts and culture scene as we know it today. This series of articles discusses the impacts of cultural diplomacy, particularly that of the USA, on Finnish music from the days of the Cold War to the present. This third part examines how American avant-garde came to Finland in the 1960s and what impacts it had.

When the Ostrobothnian Chamber Orchestra brings together some of the works that over the years have been dedicated to the orchestra’s long-standing Artistic Director and now Honorary Conductor Juha Kangas, it is obviously going to be a collection of emotionally and expressively powerful and excellent music – pieces tailor-made for the orchestra’s deep-rooted sound and intense music-making.

The history of electronic music in general is yet a short one, and affords an interesting angle on the passing of time. Experiments made 40 or 50 years ago may seem to us rather primitive now, but how will the high technology of today look to those working in this field fifty years from now?

Finnish composers got together to form a society immediately after the war, in 1945. The following is a resume of the history of the first half decade of the Society of Finnish Composers, written in 1995 by Erkki Salmenhaara (1941–2002), at the time Associate Professor of Music at the University of Helsinki.