Juha T. Koskinen

“Studying under Kaija’s guidance proved to be an important experience to all of us who were learning from her – for some of us, you could say it was even life-changing.” In his essay, composer Juha T. Koskinen reflects on how having been taught by Kaija Saariaho has shaped his thinking as well as his compositional output and processes.

"During my three-month teaching period [in Japan], I learned greater respect for individuals who build bridges between cultures that are distant from each other, both geographically and mentally," writes composer Juha T. Koskinen. This column is part of the series where composers and musicians write about their music.

One of the international guests at this year’s Time of Music festival in Viitasaari is the music theatre company La Chamber aux échos. Its mission is to explore subtle connections between the various branches of the arts. Co-founder, director-dramaturge Aleksi Barrière considers collaboration with contemporary composers to be a key element in his work. Recently, one of his principal artistic partners has been his mother, composer Kaija Saariaho.

This year, the Musica nova Helsinki 2019 festival presented a trans-Atlantic menu. The programme plumbed deep waters and explored lovely landscapes on a sea that knows no bounds. All this begs the question: are we driftwood, or are we actively charting a course to the future?

Guitarists are unusually keen to commission new compositions. The guitarist, composer and audience all benefit, because the guitar, being a popular instrument, lowers the threshold to listening to new music. Finnish guitarists Petri Kumela, Otto Tolonen and Patrik Kleemola rank among the most active champions of new guitar repertoire.

Kimmo Hakola writes about three opera performances at the Helsinki Festival 2015 and analyses the current state of the opera in Finland.