Sanna Ahvenjärvi

Collaborative composing is not common among Finnish composers of art music, and the approach raises several critical questions. Is it even possible to share musical creation and innovation with another person? Does group work inevitably lead to bland or incoherent compromises, or can it produce art of a high quality? Is the incentive for engaging in this that it is trendy or that commissioners want it that way, or do composers have other reasons for co-authoring works? Despite the numerous reservations, some composers have found collaboration to be an enriching aspect of writing music.

The Tampere Biennale 2020, a contemporary music festival scheduled for April, has been cancelled to prevent the spread of the coronavirus. As a substituting programme, the Biennale and the Finnish Broadcasting Company Yle will organise a radio festival titled Tampere Biennale 2.0. Composer Jennah Vainio, the artistic director of the Tampere Biennale, spoke to FMQ about the scheduled programme of the event 2020 and about her work as a composer.

In 2016 women are still under-represented in classical concert repertoire, never mind the canon. At contemporary music concerts, however, women appear as composers with increasing frequency. How should we address the issue of a composer’s (female) gender in this day and age? Are we really still talking about this, in Finland?