Cecilia Damström

“In a time of disinformation warfare and polarisation, where people gain power and money by spreading fear and hate and by polarising people against each other, what we need the most is love and a sense of connection,” writes composer Cecilia Damström in her column.

Endorsing equality in classical music in artistically meaningful and organic ways is no small endeavour. Yet, this was the very goal undertaken last weekend at Musequal Festival* in Janakkala, circa hundred kilometres north from Helsinki.

In November 2020, the pandemic situation in Finland has remained calm enough for cultural functions to carry on.* In these exceptional times, there is an unusually great hunger for art, and socially distanced concerts provide a vital antidote to anxiety and uncertainty.

The music of Cecilia Damström stems from expressiveness and the desire to make a difference. In music, the tiniest gestures can come across as political statements. At the Ung Nordisk Musik festival in Tampere in August 2020, Damström’s Requiem for our Earth puts the theme of this year’s event – Music Ecology – up front. “I was able to include an unusually large number of themes important for me in this Requiem,” says the composer.