Emil Holmström

Digitisation is progressing everywhere in our society, and the realm of classical and contemporary sheet music is no exception. Software and platforms are being developed for the purpose of replacing printed copies with digital files, and professionals in various fields are collaborating to produce an effective end result. What do musicians think about all this?

"I am currently exploring ways of ensuring the audibility of a specific instrument in orchestral texture before rehearsals even begin." This column is part of the series "On my music and beyond", where composers and other music makers write about their music.

Outi Tarkiainen has long since learned the lessons of her chosen poets: to be true to oneself. That results in outstanding music of meticulous clarity and frequent emotional strain. It needs heartfelt and considered performances, and gets them here.

Composer Ville Raasakka creates hyper-realistic music using sources ranging from individual sounds collected in everyday life to entire concerts. His work Hypermarket and hypercommodity for shopping items, piano and chamber orchestra highlights the utter insanity of consumerism.

"defunensemble is a Finnish group specialising in electroacoustic music. This new double CD introduces the ensemble’s versatility. One of the discs displays works for solo instruments and electronics, while the other is built around various ensemble configurations."

The Tampere Biennale celebrates its 30th anniversary this year. Launched in 1986 and held in April in even-numbered years, its profile is that of a domestic review of contemporary classical music, with commissioned works and premieres. It alternates with Musica nova Helsinki, which is more international in content and is held in odd-numbered years.