diversity

The Time of Music festival built its anniversary festival programme on the theme of diversity. Under the banner ‘Mundi Novi – New Worlds’, the festival showcased ideas and voices that often remain in the shadows.

What concrete actions have been taken to advance equality in the Finnish music industry? How can diversity be promoted? Researcher Heidi Partti, musician-pedagogue Puro Paju, festival director Linda Suolahti and communications head Sanni Kahilainen talk about programming, the possibilities of pedagogy and questioning the prevailing models.

“If we wish to experience music as a genuinely questioning, searching, challenging and revitalising art form, should it not reflect the diversity of the world around it much better?” Kimmo Korhonen interviewed two proponents of diversity and plurality in music: a researcher, Docent Juha Torvinen PhD from the University of Helsinki; and a musician, violinist Linda Suolahti, artistic director of the Musequal festival.

Endorsing equality in classical music in artistically meaningful and organic ways is no small endeavour. Yet, this was the very goal undertaken last weekend at Musequal Festival* in Janakkala, circa hundred kilometres north from Helsinki.

In many respects, Finland is held up as a paragon of equality. Yet even now in 2018 equality has not been fully attained in the music sector. There is a drive to level the playing field, using tools developed jointly by operators in the field.

The Turku City Theatre’s original musical depicts Touko Laaksonen’s artistic success while also addressing the painful history of homosexuals in Finland and celebrating difference, acceptance, love and sex.

Issues of gender balance, diversity and cultural appropriation have become increasingly prominent in many areas recently, and art music is no exception. Lauri Supponen discusses these issues, using certain Nordic contemporary music festivals and projects as case studies.