Veli Kujala

The accordion is poised to redefine its place in the musical world – its golden era is only just beginning. In this column, composer and accordionist Veli Kujala discusses the resurgence and evolution of the classical accordion.

The concerto remains a cornerstone of contemporary music. How do recent recordings reinterpret this classical genre? In this article, Jari Juhani Kallio reviews the latest concerto releases by Finnish composers.

"Tango-stomping, disco bass lines on tuba, Brazilian carnival rhythms, twisted country and ditto dixie, are some of the ingredients. But you will also find continental romantics and dystopian free-tonal characteristics in the melodies."

Microtonal classical music comes across as a nerdy pastime operating in the margins between "real notes," and with good reason. An experimental microtonal instrument is typically encircled by a close-knit community of musicians and composers who are unable to evangelise their discoveries because of difficulties in playing technique or other challenges. However, in recent years so many microtonal instruments have been developed and adopted in Finland that the colourful world between the notes is finally opening up to wider audiences.

"Kujala’s new Alba recording includes an excellent and fascinating collection of works from five Finnish composers."

The accordion can do lots of things, but few perceive it as an instrument for performing classical music. Yet the classical accordion class at the Sibelius Academy celebrated its 40th anniversary in March 2018. Accordionist Mika Väyrynen reflected on the popularity of the programme.

The Tampere Biennale once again showcased a broad spectrum of new music from home and abroad. Instead of the mainstream, the festival focused on the margins of creative musical art and explored interfaces between branches of the arts.

In April 2018 the Tampere Biennale festival of contemporary Finnish music will highlight “free radicals”. Bringing together contemporary music enthusiasts and professionals, this year’s Biennale showcases artistic freedom, fringe art, artistic interaction and a record number of new works.

Outi Tarkiainen has long since learned the lessons of her chosen poets: to be true to oneself. That results in outstanding music of meticulous clarity and frequent emotional strain. It needs heartfelt and considered performances, and gets them here.

Pull or push? Diatonal or microtonal? Traditional bear hunting celebration or reflections of the cosmos? Antti Paalanen and Veli Kujala prove that the accordion can do it all.

We have come a long way from the days when audiences at concerts of contemporary music consisted of a tiny handful of dedicated professionals. This was the inevitable conclusion when looking at the size and structure of audiences at this year’s Musica nova Helsinki festival. There were several concerts where people actually had to be turned away, and the audience base ranged far beyond the diehard contemporary music enthusiasts.

Oh yes! One of the best releases this year is the gilt-edged calling card of accordionist-composer Veli Kujala that simultaneously slakes a thirst for something new and strikes a nostalgic chord.

The world music market has seen a boom in Celtic, African and Latin American music. Many people believe that it is the turn of the Nordic countries next.