Maria Kalaniemi

Swedish native speakers constitute Finland’s culturally most significant minority. Much of Finland’s music has Finland-Swedish roots, the best-known case in point being Jean Sibelius. The strength of these roots can be heard in Finland-Swedish folk music, with its minuets, ballads and regional specialties – a tradition very different from that of Finnish-speaking Finns.

"The JuuriJuhla-RotFest (Roots Festival) takes place in Espoo each year and says it has its own roots in the pelimanni folk dance music, although most of the concerts range much wider. It featured top names on the Finnish roots music scene."

“Although I have delved deep into archives and particularly into the traditional music of the Suistamo area through my research, the fact is that modern folk music finds its inspiration absolutely anywhere, not just in dusty antiquities,” writes Anne-Mari Kivimäki, a composer and the developer of the modern Karelian accordion trance style, who is also known as a member of the band Suistamon Sähkö.

"The disc probes deep into the soul while simultaneously being so strongly connected to the environment that it is dedicated to the wilderness. The music is full of the power of nature, the aches and pains of finding the wings of one’s soul, and the joy of discovery when one finally finds them."

Musician and composer Timo Alakotila has found the perfect balance between working alone and with other musicians.

Several eras and genres are represented in the domain of Finnish traditional folk singing: ancient runo singing, roundelays or Reigenlied, and medieval ballads. Inspiration from and combinations of multiple styles have resulted in a wealth of new repertoire that reflects and comments on our own times.

The accordion belongs to a huge worldwide family: the Basque country’s trikitixa, the Malagasy sound of the late Régis Gizavo, the bandoneón music of Astor Piazzolla, iconic French café music or American Cajun music – the list is endless. But isn’t the accordion also the voice of Finnish tradition? In this world of ever-developing technology, downloading and social media, does the accordion still have a place?

A small country must learn how to adapt, cooperate and innovate. Agility is key. Finland has a high degree of social equality, and in music this means that basically anyone can do anything. Creativity and curiosity are the wellspring of the vitality of contemporary Finnish folk music.

Folk music through a feminist perspective has been a thing in Sweden for several years, but Finland’s first series of feminist folk music concerts is only now taking place. Singer and journalist Amanda Kauranne and her team explore difficult topics and taboos of womanhood in four concerts.

The accordion queen Maria Kalaniemi has been around for 30 years but still continues to impress, now by singing as well.

The world music market has seen a boom in Celtic, African and Latin American music. Many people believe that it is the turn of the Nordic countries next.

Musician and composer Maria Kalaniemi has been overturning popular conceptions about the accordion and music played on it for almost three decades now. Active in many areas, she is also engaged in research, teaching and festival planning.

"Accordionist Maria Kalaniemi is a master in her field, full of elegant emotion as always, and her duo work with younger colleague Eero Grundström (harmonium), known from the harmonica band Sväng, feels very fruitful."