"I am currently exploring ways of ensuring the audibility of a specific instrument in orchestral texture before rehearsals even begin." This column is part of the...

In recent years, concert hall research has been raised to a new level with a method developed at Aalto University in Finland. This enables the authentic...

"Although any individual listener experience is the sum of many factors and is influenced not only by technological parameters but also by the listener’s emotions and...

"When accordionist Kimmo Pohjonen invited me to join him at his sauna society in January I couldn’t resist. But I was afraid. I’ve been courageous enough...

"My music is born out of the life I live and is influenced by the inspiring people I meet, the books I read, the films and...

"I write music like I hear it. A composer’s voice is a blend of encounters, influences, sharing and privacy, life situations and changes in the living...

"The first dramatic moment in listening in the mind is when that internal sound latches on to something tangible and becomes performable music." This column is...

“'The archaic is avant-garde!', is a provocative catch-cry, but also the truth. It is also true that both the archaic and the avant-garde are necessary for...

"The element of surprise and freedom that improvisation offers remains to this day present in my music and in the way it is experienced."